劇情簡(jiǎn)介
Following the success of their feature debut Jennifer’s Shadow (2004) – an exercise in American Gothic set in a scary land called Argentina – Pablo Parés and Daniel de la Vega worked for a US company on a post-mega-disaster wasteland zombie film in which South America had been turned into an all-purpose, all-materials junkyard, with the undead as the last humane entities around (forget about the humans here!). The project never materialised, but Diego Parés, Pablo’s brother, started to write and draw a comic series based on the screenplay – which so far remains a ruin, as only parts were finished and published. The ECish beauty and balls of Diego P.’s labour of love have now been congenially transformed by the directorial duo into a delightfully old-(1970s)school low-budget production, closer to Romero and Dante than Fulci and Lenzi. And the IFFR audience is in for the treat of treats they get to see the film and can also enjoy the unfinished comic in an exhibition.
精彩劇照
觀眾短評(píng)
嗬嗬嗬!食物!咯咯咯!
2026-9-9但是幾個(gè)人對(duì)此只字不提,給秦川描繪的完全是一幅平安祥和人民安居樂(lè)業(yè)的樣子。
2026-9-9不到幾個(gè)呼吸,就來(lái)到了頂樓。路邊的有個(gè)小男孩正好仰天看月亮,卻看到秦川如履平地般徒手攀爬樓梯。
2026-5-2